Music at Key Stage Three
At Key Stage 3, students are introduced to the three strands of music, Listening and Appraising, composing, and performing. Students develop their technical, constructive, and expressive pillars of learning through a range of musical activities which include singing, playing a range of instruments as well as Music Technology.
The course aims to develop an awareness and appreciation of the musical world around them, not only by the study of the Western Classical and Popular Traditions, but also of the unique influences of different cultures from around the world. Assessment takes on a range of forms from written work to performance or composition. Students are encouraged to use appropriate musical notation where possible to support their work.
Students are encouraged to join an extra-curricular activity such as a choir or orchestra as well as to learn an instrument in order to further support their musical learning.
Year 7
Term 1:1 | Term 1:2 | Term 2:1 | Term 2:2 | Term 3 |
Unit Title: Music Around Us | Unit Title: In Tune | Unit Title: Samba! | Unit Title: In Harmony | Unit Title: Minimalism to Club Dance |
Learning Focus: Appraising & IRDM | Learning Focus: Melody Composition & Structure | Learning Focus: Ensemble Performance | Learning Focus: Composition | Learning Focus: Music Technology |
Rationale: This unit acts as a bridge from year 6 into year 7, revisiting music notation as the basic concepts of IRDM. This also links into the bridging unit being developed for use with feeder schools from 2024 – 25. | Rationale: From this unit, students are introduced to keyboard skills through a dedicated course which then runs from year 7 into year 8. After an introductory session, students analyse some of the simpler tunes they have been learning in terms of both their melodic shape and structure with a view to developing their own compositions using music notation. | Rationale: This unit is about developing the students’ rhythmic understanding. So far in the year the focus has been on melody, and this allows for the introduction of more difficult rhythmical concepts. | Rationale: This unit revisits the composition that was started in term 1:2 and introduced students to the concept of harmony, intervals and consonance / dissonance. By the end of this unit, students will have looked at the horizontal sections of music and the vertical sections (layers that make up harmony). | Rationale: This unit is about introducing students to different ways of composing in music. With a focus on notation and keyboard skills, this summative unit encourages students to use some premade loops alongside original content in order to create an extended composition. |
Key Vocabulary: Treble Clef Stave Dynamics Instruments Pitch Tonality | Key Vocabulary: Tonic Dominant Passing Note Auxiliary Note Binary Form Ternary Form | Key Vocabulary: Call & Response Groove On the beat Off the beat Syncopation | Key Vocabulary: Consonance Dissonance 2nds 3rds 4ths 5ths 6ths 7ths | Key Vocabulary: DAW Sample Copyright Loop Panning Rondo Form |
Repertoire: Stasis – Sean Foran & Stuart McCallum Trumpet Concerto – Haydn | Repertoire: Eine Kleine Nachtmusic (3) – Mozart Air from Water Music – Handel | Repertoire: ‘Samba Drums’ – Drums of the World Se a Vida E – Pet Shop Boys | Repertoire: When you’re gone – Mel C, Bryan Adams Pearlfishers Duet – Bizet | Repertoire: Little Fluffy Clouds – The Orb They Sink (TOKiMONSTA Remix) – Olarfur Arnalds |
Assessment: End of Unit term quiz on terminology and music notation | Assessment: Online submission of composition | Assessment: Recording of group performance. | Assessment: Online submission of composition | Assessment: Online submission of composition Summative end of year exam. |
Keyboard Skills:
This part of the course should allow students to further develop their understanding of music notation, as well as developing an approach to performance where they develop their express skills using dynamics and articulation. This forms the ‘do it now’ section of each lesson and is assessed ‘when ready’ rather than at set times to recognise the different stages at which students will progress.
Listening and Appraising:
Student’s listening skills are developed throughout the year through analysis of one piece of repertoire from the list below in class and the further work studied via home learning. This then provides a series of ‘set works’ which the students’ knowledge and understanding are assessed in a summative examination.
Year 8
Term 1:1 | Term 1:2 | Term 2:1 | Term 2:2 | Term 3 |
Unit Title: Jazz & Blues | Unit Title: Progressions | Unit Title: Reggae | Unit Title: Film Music (1) | Unit Title: Film Music (2) |
Learning Focus: Improvisation, Triads | Learning Focus: Composition & Structure | Learning Focus: Performance | Learning Focus: Composition | Learning Focus: Music Technology |
Rationale: Following on from the harmony introduced in year 7, this builds on this further by introducing triads, accidentals and blues scales to support the performance of an improvisation as part of the 12 bar blues. | Rationale: This unit directly links to the previous unit as it develops students understanding of the development of popular music in the mid C20th and introduces an extended range of chord progressions, as well as knowledge of the the degrees of the scale | Rationale: A significant influence on music from the 1960’s onwards, this unit looks at Reggae, its music and allows students to identify and make links with the Samba unit from year 7 in terms of rhythmic devices | Rationale: This unit looks at the growth of film music and its significance to the UK music industry but also its links to programmatic music in the C19th, Opera and the musical devices used to create such pieces. | Rationale: This unit is a summative unit which allows students to demonstrate their knowledge and understanding of music though the composition of 2 minute extract for a film extract. |
Key Vocabulary: Triad Chord Sequence Blues Scale Blue Note Dominant 7th Chords Improvisation | Key Vocabulary/ Knowledge: Unison, Third, Fifth Intervals Degrees of the scale Triads built upon the scale and tonality Chord Progression Roman Numerals for chords Arabic numerals for intervals | Key Vocabulary: Off the beat Riff Syncopation | Key Vocabulary: Programmatic Music Opera Leitmotiv Timbre | Key Vocabulary/Knowledge: Sonority, Voicing, Automation, Balance |
Repertoire: Match Box Blues – Blind Lemon Jefferson All Blues – Miles Davies | Repertoire: Don’t Stop Believin’ – Journey Thinking out Loud – Ed Sheeran | Repertoire: Three Little Birds – Bob Marley Last Boat to Cairo – Madness | Repertoire: Symphony No 5 Mvt. 5 – Sibelius Theme from Interstellar – Zimmer Incidental Music from Encanto – Germaine Franco | |
Assessment: Recording of Blues piece and improvisation | Assessment: Online submission of composition | Assessment: Recording of solo performance. | Assessment: Creation of two leitmotifs, one for a character and one for a place | Assessment: Film Score composition |
Keyboard Skills:
This part of the course should allow students to further develop their understanding of music notation, as well as developing an approach to performance where they develop their express skills using dynamics and articulation. This forms the ‘do it now’ section of each lesson and is assessed ‘when ready’ rather than at set times to recognise the different stages at which students will progress.
Listening and Appraising:
Student’s listening skills are developed throughout the year through analysis of one piece of repertoire from the list below in class and the further work studied via home learning. This then provides a series of ‘set works’ which the students’ knowledge and understanding are assessed in a summative examination.